Our 27 African Art Acquisitions & My Final Thoughts on the Trip…

See part 1, part 2, and part 3 in the series documenting our trip to West Africa in July…

April’s been home now for several weeks, but I’m only just now ready for this final wrap-up post about our trip. It took some time to prepare our new shelves and to set up our art, books, and movies. But now I’m ready to present our findings, most of which April acquired after I flew home from Nigeria and she continued on for a number of weeks into Togo, Benin, and finally Ghana. My post yesterday regarding Camille Paglia’s books linking ancient tribal Paganism with today’s art and popular culture are relevant to the points of this piece — the line between religious icon and art object is often in the eye of the beholder…

First, a mask from Ghana, with two sand paintings from Goree Island in Senegal. Our comedy DVD shelf sits above them:

Two heads from Benin, in between shelves of April’s art books, these also possess two Goree Island sand paintings, one on each side:

These two heads are from #Benin and sit between shelves of @aprilbey_ #art book collection.

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Continue reading “Our 27 African Art Acquisitions & My Final Thoughts on the Trip…”

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Pop-Paganism: 11 Extraordinary Camille Paglia Excerpts

Essential Authors: Camille Paglia

Two years ago, I joined Liberty Island Media, a start-up book publishing company focusing on genre fiction, as their West Coast Editor and began acquiring and editing novels. I also started writing my own novels and helping other writers develop their stories. Now, in this ongoing series at Smash Cut Culture I’m going to start highlighting the authors who I’ve returned to most often in working with writers. As I’ve studied and met both fiction and non-fiction writers over the years these are the ones with the most depth, originality, and humanity. Reading their books and understanding the ideas that matter to them has helped change my life for the better and I hope it can do the same for you.

Camille Paglia should be on you read-everything-she-writes list. #art #culture #pagan #feminism

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On Tuesday Mark Bauerlein at First Things published a thoughtful post on Camille Paglia and the key idea that he sees as distinguishing her from today’s cookie cutter Right/Left ideologues:

She announced it a few months back in an interview with the New York Observer. The very first question asked her about comparisons between President Trump and Adolf Hitler, to which she replied: “‘Presentism’ is a major affliction—an over-absorption in the present or near past, which produces a distortion of perspective and a sky-is-falling Chicken Little hysteria.”

….

Paglia believes there is a causal connection between young Americans’ ignorance of history and their dim view of present conditions. At a conference in Oxford, Paglia stated again, in response to a student who criticized her and others for telling youths not to be so sensitive and snowflaky, “There is much too much focus on the present.” Thanks to the (presumed) sensitivity of modern youth, Paglia says, students have not had a “realistic introduction to the barbarities of human history . . . . Ancient history must be taught . . . . I believe in introducing young people to the disasters of history.” Without that background, she implies, our only standard of appraising current circumstances is current circumstances plus a few utopian dreams. We have so much material prosperity, they think, so why don’t we have more perfect people to enjoy it?

I’ll take Bauererlein’s insight into Paglia’s value as a writer and intellectual a few steps further. Yes, that she analyzes today’s culture through the broad stroke of history, starting in the ancient world gives her arguments greater weight and originality. Where I value her even more though is in the way she connects this grand historical understanding to our everyday pop culture. And what is her key here? It can be summed up in one word: Paganism.

Paglia connects the primitive, religious earth worship of the ancient, pre-modern world, with the secular faiths of today’s postmodern ideologies and celebrity-obsessed culture. Here’s one of my favorite quotes from her book Vamps & Tramps: New Essays, about how what is natural must be overcome and transcended to achieve greatness:

Here are ten more of my favorite Paglia quotes I’ve collected over the years. I hope you’ll find them useful and inspiring. Continue reading “Pop-Paganism: 11 Extraordinary Camille Paglia Excerpts”

The Last Two Legs of My Africa Trip

(Click here for Part One, and here for Part Two.)

Well, I’ve been home for over a week now and between trying to get caught up on work and getting my sleep back in order (apparently jet lag can last awhile) I have not yet done the final post describing the last two countries of my part of the trip — Morocco and Nigeria. Let’s correct that now.

Day 19: Thursday, July 20 — We arrive in Morocco early in the morning (around 8) but cannot check into our hotel until the afternoon (2ish). Apart from that anticipated bump in the road the hotel was nice, among the highlights of our short stay in Casablanca.

We survived our Red Eye flight and now are enjoying breakfast in Casablanca!

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Day 20: Friday, July 21 — We take a tour of the Hassan II Mosque in the morning and then explore the markets in the afternoon.

#Casablanca #morocco

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Continue reading “The Last Two Legs of My Africa Trip”

Behold the Power of “Ferengi Feminism”

(Warning: lyrics in music sampled for video below contain NSFW language.) Here’s a recent studio recap that April made for a piece she’s working on:

The piece-in-progress features Chimamanda Ngozi Adichie, a gifted Nigerian author and feminist activist, juxtaposed with the phrase “Ferengi Feminism” to be rendered in a similar style to an earlier piece (that sold in her recent solo show) in this “Afro-Futurist” series, Rules of Acquisition: 

@mstinalawson @coagulacuratorial #solange #painting #laart @saintrecords

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What is “Ferengi Feminism”? Continue reading “Behold the Power of “Ferengi Feminism””